![]() ![]() “It’s almost like being a Victorian father. “I have the easy job,” he tells USA Today a month after the shop opened, while discussing his role in the business. May 4, 2002: Teany - the Lower East Side vegan café and tea shop Moby co-owned with former girlfriend Kelly Tisdale - opens its doors. Any casual music listener who hadn’t heard Moby’s music certainly became aware of his existence after his brief-ish skirmish with Eminem. I’m 33 and can see through it, but I can’t imagine that an 8-year-old in Idaho sees it as just a joke.” If you’re even remotely aware of the existence of Moby or Eminem, you know that this is just the beginning of this narrative. From protesting with chickens and accidentally auctioning off his soul to buying and selling more real estate than Jared Kushner and Barbara Corcoran combined, his extra-musical concerns have proved so reliably random that even a “Moby Headline Mad Libs” generator might seem banal when compared to the real thing.Īnd that’s why we’ve compiled a timeline rounding up some of Moby’s more outlandish, hilarious, and at times strangely endearing activities over the past 15 or so years if we missed anything, forgive us - he’s simply way too public to keep definitive tabs on.įebruary 22, 2001: Following Eminem and Elton John’s performance of “Stan” at the Grammys, Moby sounded off in the press room to Rolling Stone about how he really felt regarding the former’s oft-homophobic and misogynistic lyrics: “He’s very good at what he does, but he’s also a misogynist and homophobe and racist and anti-Semite. (His biggest pop-cultural look before then was a brief cameo on early-era Adult Swim oddity Space Ghost Coast to Coast). ![]() It’s a questionable statement, an irresistible sound bite, and resolutely Moby.Īnd “Moby being Moby” - that is, as long as Moby is talking about or doing something other than actually releasing music - has been a constant fascination for the press since 18. His latest album, Everything Was Beautiful, and Nothing Hurt, sees release today via his own Little Idiot imprint and longtime label Mute it’s his fourth LP over the course of the last two years, the release of which has already been overshadowed by his claims in an interview with The Guardian that he might’ve accidentally helped create the iPod and the iPhone … or something. Since the dual-headed commercial juggernauts that were 1999’s Play (a record in which every track was infamously licensed for commercial use) and 2002’s 18, the cue-ball-skulled crossover-techno mainstay has been ubiquitous in the digital ink of gossip-blog party reporting and WTF-worthy music-website quotables. It’s weirdly easy to forget that Moby makes music for a living. ![]()
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